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Giorgio Vasari Self-Portrait mk52
1566-8
Oil on wood
100.5x80cm
Uffizi,Florence
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Giorgio Vasari The Immaculate Conception mk67
Oil on panel
22 13/16x15 3/4in
Uffizi,Gallery
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Giorgio Vasari Portrait of Alessandro de' Medici mk67
Oil on panel
61 13/16x44 7/8in
Uffizi
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Giorgio Vasari The Temptation of St.Jerome mk67
Oil on panel
66 9/16x48 7/16in
Pitti,Palatine Gallery.
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Giorgio Vasari Portrait of Lorenzo the Magnificent mk67
Oil on panel
35 7/16x28 3/8in
Uffizi,Gallery
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Giorgio Vasari Taking of Pisa mk68
Fresco,
Florence,Palazzo Vecchio,
Salone del Cinquecento
1563-1565
Italy
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Giorgio Vasari Self-Portrait mk68
Oil on wood
39 1/2"x31 1/2"
Florence,Uffizi,
1566-1568
Italy
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Giorgio Vasari Recreation by our Gallery mk79
About 1558
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Giorgio Vasari Sala di Clement VII mk83
Palazzo Vecchio
Florence
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Giorgio Vasari Portrat of Lorenzo de Medici mk137
1533 oils on linen 90x72cm Galleria deglI Uffizi, Florence
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Giorgio Vasari The Immaculate one Concepcion mk166
1541
I Wave on board of wood
58x40cm Uffizi, Florence
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Giorgio Vasari The Anunciacion mk166
Around the second half of the Century XVI Painting on wood 216x166cm
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Giorgio Vasari Perseus and Andromeda mk176
1570-72
Oil on canvas
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Giorgio Vasari The Gastmabl of the Bl Gregor mk186
around 1540
Bologna, Pinacoteca Nazionale
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Giorgio Vasari la pittura 1542
se
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Giorgio Vasari The Garden of Gethsemane Date ca. 1570(1570)
Medium Oil on canvas
Dimensions 143.5 x 127 cm (56.5 x 50 in)
cjr
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Giorgio Vasari Vulcan's Forge Date 1567-68
Medium Oil on canvas
Dimensions 38 x 28 cm
cjr
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Giorgio Vasari Vulcans Forge 1567-68
Medium Oil on canvas <-?->Oil on copper
cyf
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Giorgio Vasari The Annunciation between 1564(1564) and 1567(1567)
Medium oil on panel
cyf
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Giorgio Vasari Perseus and Andromeda between 1570(1570) and 1572(1572)
Medium oil on slate
cyf
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Giorgio Vasari
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1511-74
Italian painter, architect, and writer. Though he was a prolific painter in the Mannerist style, he is more highly regarded as an architect (he designed the Uffizi Palace, now the Uffizi Gallery), but even his architecture is overshadowed by his writings. His Lives of the Most Eminent Architects, Painters, and Sculptors (1550) offers biographies of early to late Renaissance artists. His style is eminently readable and his material is well researched, though when facts were scarce he did not hesitate to fill in the gaps. In his view, Giotto had revived the art of true representation after its decline in the early Middle Ages, and succeeding artists had brought that art progressively closer to the perfection achieved by Michelangelo.
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